备注：已完结
类型：喜剧电影
主演：艾尔伯特·杜邦迪 桑德琳娜·基贝兰 尼古拉·马里耶 PhilippeU
导演：艾尔伯特·杜邦迪
语言：法语
年代：未知
简介： ◎译&ems ;&ems ;名&ems ;九月怀胎◎片&ems ;&ems ;名&ems ;9moisferme◎年&ems ;&ems ;代&ems ;2013◎国&ems ;&ems ;家&ems ;法国◎类&ems ;&ems ;别&ems ;喜剧◎语&ems ;&ems ;言&ems ;法语◎字&ems ;&ems ;幕&ems ;中法双字◎上映日期&ems ;2013-10-16(法国)◎IMDb评分&nbs ;6.5/10from3,104users◎豆瓣评分&ems ;6.8/10from249users◎片&ems ;&ems ;长&ems ;82分钟◎导&ems ;&ems ;演&ems ;艾尔伯特·杜邦迪AlbertDu ontel◎主&ems ;&ems ;演&ems ;艾尔伯特·杜邦迪AlbertDu ontel&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;桑德琳娜·基贝兰SandrineKiberlain&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;尼古拉·马里耶NicolasMarié&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;Phili eUchan&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;Phili eDuquesne&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;伯利·兰内尔BouliLanners&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;ChristianHecq&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;GillesGaston-Dreyfus&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;MichelFau&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;劳尔·卡拉米LaureCalamy&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;友兰达·梦露YolandeMoreau&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;MichèleBernard-Requin&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;AlexFondja&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;JohnArnold&ems ;&ems ;&ems ;&ems ;&ems ;&ems ;BabetidaSadjo ◎简&ems ;&ems ;介 &ems ;&ems ;阿里安·费尔德（桑德利娜·基贝尔兰饰）怀孕了，不可思议的是年轻的她本是一个严格要求自己，不允许有任何纰漏的冷面法官。然而还有更令她惊奇的，亲子鉴定显示，孩子的父亲不是别人而是鲍勃（艾尔伯特·杜邦迪饰），一个牵扯到严重袭击的刑事罪犯。阿里安完全不记得发生了什么，她在迷茫中满怀期待地开始了寻找…… ◎获奖情况 &ems ;&ems ;第39届法国凯撒电影奖&nbs ;(2014)&ems ;&ems ;最佳影片(提名)CatherineBozorgan/艾尔伯特·杜邦迪&ems ;&ems ;最佳导演(提名)艾尔伯特·杜邦迪&ems ;&ems ;最佳男主角(提名)艾尔伯特·杜邦迪&ems ;&ems ;最佳女主角桑德琳娜·基贝兰&ems ;&ems ;最佳原创剧本艾尔伯特·杜邦迪&ems ;&ems ;最佳剪辑(提名)Christo hePinel < style="text-align:center;font-size:20 x;">《九月怀胎预告片》 九月怀胎电影网友评论：< class="com">阅瞎版：“为了踩点，他品尝了夜的巴黎，他踏过下雪的香榭丽，他熟记地图上每一个最有钱的家庭，却说不出他偷到的意义。”“高压水枪呲电线，一路火花带闪电。”还有虾酱的手语和无处不在的卡门梗。把这样平庸的冷门片子带火，感谢二次创作如整容般的阅瞎团队。 < style="text-align:center;"> < class="com">典型的法国喜剧，法国人讲故事很有一套。剧情有点意想不到，检察官怎么和嫌疑犯联系到一起的，结尾归集到讲真话救人还是要名誉保前途的问题。片中对嫌疑犯有人文关怀，法官检察官都是女性，男性角色则都是小丑形象。8.5分。 < style="text-align:center;"> < class="com">有點胡鬧的喜劇小品，人物刻劃有限，笑點倒是足夠。JeanDujardin客串的手語翻譯超搶鏡。SandrineKiberlain喜劇表演也很出彩，不過用這片拿凱撒影后也太微妙了吧........ < style="text-align:center;"> < class="com">支撑我看完的是法语片的这个调调这个画面审美。另外法国真是女权高张的国家，法语爱情片最多女神和男屌丝的 air了，自主自立的女人呐，从来不care对象是王子还是乞丐。 < style="text-align:center;"> < class="com">自导自演。独身女光棍法官与小偷惯犯一夜情之后一枪命中。幻想老头被割挖双眼锯四肢，太有趣，还有血腥，好玩，男主也变成呆傻萌。让·杜雅尔丹打手语在搞什么鬼，夸张搞怪。 < style="text-align:center;"> < class="com">相同的故事，不同的人来讲，就有不同的精彩。法国人把一个街头小报胡扯故事讲成一个有情怀、有格调的生活剧。剧中人都那么有血有肉、有笑有泪。片子有趣，看点颇多。推荐。 < style="text-align:center;"> < class="com">法式喜剧对于看惯英式剧的我来说略显夸张，但是女主角温柔优雅，四十岁的年纪依然令人觉得充满魅力，演起法官来令人信服。拙拙的男主角也莫名地有说服力。 < class="com">前半放鬆看還蠻歡樂的，後半追查真相過程太過草率，懷孕這件事沒有真正發酵，SandrineKiberlain是這片好看的理由，2016.08.03 < class="com">节奏真好镜头语言用的也好倾斜镜头精妙台词音乐剪辑窥视角度变更观点转场但有些触及法律的擦边球因为喜剧风格只能被原谅血腥部分有b级片的影子 < class="com">剧情太扯了～黑色幽默～口味还有点重～最搞笑的是对犯罪过程的荒诞想象～小北鼻萌～片长80分钟～～法国电影还是这么有良心！alone < class="com">法式轻喜剧，还达不到爆笑搞笑段位。其实就是一个反差梗套在简单的借子救夫故事里。吃眼狂魔自辨的受害人厨房自残想象场景还算血腥搞笑。 < class="com">并不差，但我讨厌这个故事，虽然只是个喜剧，太较真招人烦也要说……女人凭什么为了肚子中的孩子以及无缘无故的爱情放弃自己的升职梦想？
备注：已完结
类型：剧情电影
主演：Kortee Aramboy 马里奥·毛瑞尔 Pakorn Chatb
语言：
年代：未知
简介：要问在这个国家中谁最有名，不是总统，不是明星，而是一只名为小雪的狗小雪是这个国家当之无愧的人气之星，每个人都希望能够亲眼看一看这只可爱娇憨的狗狗。小雪的一周岁生日即将来临，这会是一个举国欢庆的重大节日。在浓浓的节庆气氛中，有三个忧心忡忡的人显得不那么合群，他们的心里盘算着怎样的主意呢？阿波的父亲是小雪的拥有着，看着父亲将全部的经历都放在了小雪的身上，阿波感到内心里十分不是滋味，希望着有一天小雪能够消失。阿替是一名反小雪主义者，人们对于小雪的喜爱和热情在他的眼中简直荒谬可笑至极。小马是一名电脑高手，他想要偷走小雪，只是为了证明自己的实力。这三个人走到了一起，组成了一支盗狗小队。&co y;豆瓣
备注：已完结
类型：动作电影
主演：让·雷诺 娜塔莉·波特曼 加里·奥德曼 丹尼·爱罗 彼得·阿佩尔 迈克
导演：吕克·贝松
语言：英语
年代：未知
简介：里昂（让·雷诺饰）是名孤独的职业杀手，受人雇佣。一天，邻居家小姑娘马蒂尔达（纳塔丽·波特曼饰)敲开他的房门，要求在他那里暂避杀身之祸。原来邻居家的主人是警方缉毒组的眼线，只因贪污了一小包毒品而遭恶警（加里·奥德曼饰）杀害全家的惩罚。马蒂尔达得到里昂的留救，幸免于难，并留在里昂那里。里昂教小女孩使枪，她教里昂法文，两人关系日趋亲密，相处融洽。 女孩想着去报仇，反倒被抓，里昂及时赶到，将女孩救回。混杂着哀怨情仇的正邪之战渐次升级，更大的冲突在所难免……
备注：已完结
类型：动作电影
主演：托马斯·米连 约瑟夫·科顿 Maria Fiore Mario Pia
导演：翁贝托·伦齐
语言：其它
年代：未知
简介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
